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Wednesday 4 April 2012

Tales from the Edge of the Sahara

This is my piece about Tunisia that was shortlisted in the Wanderlust & Lipstick Travel Writing Competition 2011/12 and appears on their website
When Marnie and I embark upon our journey across the Tunisian Sahara I am already hallucinating. I am constructing my own beautiful mirage in the distant desert. I imagine leading camels through the dunes in the soft dusk, and camping with mysterious nomads under moonlit skies.
I read the guide book and keep my eye on the map, as Marnie takes first turn behind the wheel. Periodically, I spout my nuggets of newly gleaned knowledge. “This desert is the Grand Erg Oriental,” I inform her. “Erg means ‘field of dunes’.”
We drive along narrow dusty roads, passing through small towns of low whitewashed houses; two women starting out on an adventure at the edge of the Sahara.
Just three hours later we are standing by our car in the unforgiving glare of the afternoon sun. An archway spans the road ahead, carved with Arabic script, and it appears we are not allowed through. Apprehensive, I pray that the soldier will return with our passports and allow us to leave. Our attempt to explain where we are heading – in rather disjointed French – is met with unreadable eyes. Something tells me not to argue further. With an impatient flick of the hand, the soldiers indicate that we should open the car boot. One of them gives our luggage a cursory once-over, his gun slung nonchalantly over his shoulder. The other stands watching us, an acrid cigarette pinched between thumb and forefinger. I feel a trickle of sweat snaking slowly down my back.
The spell is broken by the appearance of a ball of yellow dust. A jeep screeches to a halt at our side, and the driver shouts brusquely to the soldiers. Abruptly, the boot is swung shut, and our passports are handed back with a nod and the vestige of a smile.
Relieved and confused, we turn the car around and drive back towards Tozeur. I open the map. Our mistake was simple; we had been heading west towards the Algerian border, instead of south as we had intended. We had just encountered some over-zealous border guards, and now we feel slightly foolish.
We carry on south until the road dissects the Chott El Jerid, the largest salt pan of the Tunisian Sahara, where temperatures can soar to 50°C. Halfway across, we park at the edge of the sun-baked road and tentatively step out onto the salt crust. Mirages shimmer in the distance; castles and spaceships, elusive as rainbow-ends.
Eventually we reach the desert town of Douz, where minarets and blue-shuttered houses appear ghostly in the half-light of dusk. Pale dunes, as fine as icing sugar, roll into the seeming infinity of the Sahara.
The next morning we rush headlong to the edge of the desert, feeling the sand rush softly between our fingers, scooping it into a tiny bottle that once held fig liquor. We climb to the top of a dune, laughing and sliding, wrapping our blue berber scarves around our faces. A boy in a neon shell suit introduces himself as Ali, and points to his two camels, Pauli and Pipa. Powerless to resist Pipa’s sweeping eyelashes, we agree a price for a two-hour trek.
We stroll out into the desert, silenced by the clarity of the light and the depth of the shadows. Eventually Douz disappears from sight, and we lose all sense of direction. Marnie asks Ali if we can go faster. He lets go of Pipa for a moment as he starts to run with Pauli’s rope, giving him a quick thwack with his stick for good measure. The camel expresses his dismay with a loud bellow, and as he digs his heels in, Pipa takes the cue to set off at full tilt.
At first I am in shock. I hold on tightly to the pommel as Pipa gallops into eternity, heading further and further into the dunes. I shout at her in vain as my scarf unwraps itself and floats upwards like a distress flare.
Then I panic. I am scarcely managing to hold on, and we are still accelerating. I resort to drastic action, and jump. I land awkwardly, winded, on what feels like concrete. Pipa keeps right on galloping without missing a beat.
With nothing except sky and dunes (an erg, I remind myself) as far as the eye can see, it seems impossible that I will find my way back without a camel, a compass or water. The thought of water brings with it an instant raging thirst, and in no time at all I am hallucinating.
There is a mirage on the horizon; the tiny neon-pink figure of Ali, running towards me, waving his arms. Marnie follows, leading Pauli.
It turns out Pipa was following the trekking route back to the other camels and I wasn’t really lost. “Good fast camel, non?” beams Ali as he helps me to my feet. Needless to say, he doesn’t get a tip.
*****
Copyright: M Huggins 2011
Photo credits:
Sahara Dunes: Raúl Santos de la Cámara
Douz Sahara: Thierri
Boy with Camel: Nick Taylor
Camel Riding in the Desert: Steve & Jem Copley
Sahara Sunset: Pavlo Boyko

Sunday 29 January 2012

Your Desert Island Discs: Castaway Classics by Claire Timms BBC News


For decades the great and the good have imagined life on a secluded island with nothing but the Bible, the complete works of Shakespeare and a favourite record.
To mark the 70th anniversary of BBC Radio 4's Desert Island Discs on Sunday, the nation has also been asked to picture themselves as castaways and choose the one track they would save from the waves.
During the long, hot August of 1976 Mandy, from Leeds, was 16 and newly in love.
David Dundas's Jeans On was played constantly on the radio and despite its "cheesiness" it is the song that transports Mandy back to her youth.
"My boyfriend had a motorbike and we went camping in the Lake District," she said.

"We told my parents we were staying in youth hostels as they were rather strict and would not have approved of us camping in farmers' fields!
"I remember that song was on the radio and me singing along pillion on the bike with the road stretching ahead and endless sunshine during that hot summer.
"Not long after that, punk came along and it took that innocence away. That summer is probably summed up entirely by that song for me. It transports me back."
At midday on Sunday all 40 local radio stations and Radio Scotland, Radio nan Gàidheal, Radio Wales, Radio Ulster & Radio Foyle will simultaneously broadcast their own Your Desert Island Discs.

First Advance Review For Each of Us a Petal

     REVIEW BY SUZANNE KAMATA Most of the stories in Amanda Huggins’s Each of Us A Petal take place in distinctly Japanese settings, such a...