Harper's Bazaar

 

I was sworn to secrecy until the magazine came out, but I can now reveal that I am one of two runners-up in this year's Harper's Bazaar Short Story competition – my story appears in the July/August edition! 

 

To quote the magazine:

 

"Harper’s Bazaar has a long history of publishing original fiction, by writers from Henry James and Virginia Woolf to Ali Smith and Chimamanda Ngozi Adichie. In keeping with this legacy, we are pleased to announce our annual short-story competition, previous winners of which have included Kaliane Bradley, Daisy Johnson and Fatima Bhutto."

Black River by Nilanjana Roy - Blog Tour Review

 

Black River by Nilanjana Roy

The Blurb:
 

IT TAKES A VILLAGE TO KILL A CHILD…

The Indian village of Teetarpur is a quiet, unremarkable place, until one of its children is found dead, hanging from the branch of a Jamun tree.

In the largely Hindu community, suspicion quickly falls on an itinerant Muslim man, Mansoor.

It’s up to local policeman Sub-Inspector Ombir Singh to uncover the truth. 

With only one assistant officer, and a single working revolver between them, can he bring justice to a grieving father and an angry village―or will the people of Teetarpur demand vengeance instead?

 
My review:

Black River is a compelling blend of crime noir, psychological thriller, state of the nation novel and literary fiction. Roy’s writing is tender, immersive, lyrical and elegant, yet also acutely observational, raw and honest.

The novel perfectly captures the textured layers of this complex nation, a country which has always fascinated me and which I have visited numerous times, yet can't even pretend to understand or truly know. 

Roy explores love, fatherhood, enduring friendships and kindness, but the colour, beauty and light of the sub-continent is darkened by everyday brutality, religious intolerance, divided communities, the corruption of power and violence against women; those “layers of insecurities, prejudices and fears that have come to define India” (Tribune India)

Black River is not a page-turner in the conventional sense, the novel is slower-paced and perhaps more contemplative than a traditional crime novel, but is all the better for that. The characters are vividly drawn and linger in the mind, and there is hope as well as despair. Despite the fact that Munia loses her life in the opening pages of the book, she is so skilfully drawn in those few paragraphs that we already feel we know her well. Her death lies at the heart of the story, yet the other characters’ lives are equally compelling, and the threads of the story are pulled together by the ever-present Yamuna River. The river and the city are characters in themselves, and this immersive sense of place is one of the novel’s great strengths.

A tightly written and engrossing novel which tugs at the heart.


(Thanks to Pushkin Press for the review copy of Black River and for inviting me to take part in the Blog Tour. Black River is out NOW!)

 

 

You can follow the Blog Tour on Twitter:

 

 

 
 

Review - Henry VIII: The Heart of the Crown by Alison Weir

Review - Henry VIII: The Heart of the Crown by Alison Weir

I rarely read historical fiction set as far back as the Tudor period, but I was curious to read this novel precisely because it was written from Henry VIII’s perspective. I’m not familiar with Alison Weir’s writing, but her reputation precedes her, so I knew the novel would be well-researched and well-written.  

The story is well-traversed, but Weir’s gift for characterisation and her interesting interpretation of events make for an enthralling read. I have always thought of Henry VIII as a manipulative misogynist surrounded by a scheming and dangerous court – which served to make him suspicious, paranoid, and increasingly heavy-handed. This opinion hasn’t altered, but I now feel as though I know him better – a complex man who was an intelligent, articulate scholar, an art lover, a musician, and so much more. 

An engaging read, rich in detail – highly recommended for historical fiction fans.

And I've just seen it's made the Sunday Times Top Ten - well-deserved!

(Thanks to Caitlin Raynor@bookywookydooda at Headline for the review copy)

Two more advance reviews!

 

Two more advance reviews for  

talk to me about when we were perfect

Thanks to Sarah Linley and Tracy Fells for their kind words. It makes it all worthwhile when readers really 'get' your writing – especially when they are talented authors like these two!

Tracy's Review:

"Talk to me about when we were perfect is a collection of poetry from the multi-talented Amanda Huggins, who seems equally skilled in writing prose, poetry and non-fiction and any new work from this author is something to get excited about. 

 

I relished every single poem in this new collection, looking forward to my daily immersion into Huggins memories and flashbacks to youth. At times these perfect snapshots felt like personal Polaroids, capturing specific moods and moments of adolescence from the author’s life, but also reflect how we all feel when searching to recapture the ache and ecstasy of what it really felt to be young. Her prose is sharp and bittersweet, vivid and visual, often capturing images with a breathless beauty that instantly transports to you a specific place and time that chimes with an experience you share. That’s why her poems are so accessible, they recreate emotions we’ve all known, the good the bad and the shameful. What it feels like to ‘have a crush’ on the older lads hanging round the fairground or outside the chippie. Foolish flirting and falling for the flash talk of strangers. Each is unique, charting the travels of the human heart from first crush to undying devotion and ultimately the pain of separation and ending. Just like the meandering complexity of memories they skip between childhood and becoming an adult, balancing the highs and lows, the joy and pain, of growing up and what it means to leave parts of us behind. I particularly love how Huggins weaves nature into these poems, reminding us that we share this beautiful world with so much more than each other.

 

It’s a rare talent that can create lines such as: “The morning is still holding its breath when I step out across the hotel lawn, and a breakfast party of startled crows complain, all tut and flap and mutter.” ('the man in room seven'), giving us poems that instantly paint a scene and can easily be enjoyed by everyone, and are truly delicious to read aloud.

 

I’ve read a number of collections recently which start with promise but soon feel repetitive and stuck in their themes, but each poem in ‘Talk to me about when we were perfect’ was distinct and memorable, I couldn’t wait to read another, then another. And I can’t wait to read it again. For me this is a collection to keep and cherish.

 

If you enjoy these poems then I highly recommend you check out Huggins’ novellas and story collections too. Her ability to capture mood, setting and emotion shines throughout everything she writes. "

 

Tracy Fells, author of Hairy on the Inside

 

 

 

 

Review of Forbidden Notebook by Alba de Céspedes

 

I absolutely loved Forbidden Notebook. I read somewhere that this ‘rediscovered’ classic was the ‘female Stoner’, which immediately piqued my interest, as Stoner is a wonderful book too. Forbidden Notebook has also been highly praised by writers such as Annie Ernaux, Jhumpa Lahiri – who wrote the foreword and who quite rightly says that the novel “blazes with significance” – and Elena Ferrante.

I have also enjoyed finding out more about the author herself. Alba de Céspedes was the granddaughter of the first President of Cuba, married at fifteen, was a mother at sixteen, and started writing after her divorce at the age of twenty. She was also jailed twice for her anti-fascist activities in the 1930s.

Forbidden Notebook was originally published in Italian as a magazine serial in 1950, and this edition is a new – and captivating – translation by Ann Goldstein.

The novel is set in post-war Rome, and the narrative is written in the form of a series of secret journal entries from the point of view of Valeria. It gives the reader a piercing insight into women’s changing roles and expectations in the post-war years, as well as exploring class distinctions, mother-daughter/mother-son relationships, and offering a compelling dissection of a 1940s marriage. This intimate novel of domestic discontent is beautifully and elegantly written, haunting, complex, evocative of time and place, and totally engaging. I read it in two sittings, anxious to find out how and if Valeria dares to make fundamental changes to her life. I am still thinking about her…

 

(Thanks to Pushkin Press for the advance review copy. Forbidden Notebook is out on March 2nd)

Talk to Me Reviews - Part Two

 

I have a few more advance reviews to share for talk to me about when we were perfect, and they're all great! I'm so happy that everyone is really 'getting' this collection, as I feel my poetry is more personal than my fiction and so it feels really important to me that readers enjoy it!

It's launching in March and will be available to pre-order NOW from Victorina Press.

***

 “It’s magical.” Ralph Dartford, author of Hidden Music

***

"The writers I love the most really capture how it feels to be human; Huggins is one of them. This poetry collection expresses our melancholy, longings, griefs, and joys; it absorbs us in summer romances, lost loves, coming-of-age tales, what-might-have-beens, our struggles to navigate relationships in all of life’s seasons, and does it in a fresh and accessible way.

I have a sensation of familiarity with Huggins’s poetry, not because it’s the same as others I’ve read but because I’m so close to the emotions she conveys. The poems feel as though they have a warm amber tint, drawing you into their nostalgia, a glimpse into something private and personal. 

Each poem is evocative and reaches far beyond the page. ‘no doubt’ is my favourite, no doubt about that; it’s a poem I wish I’d written! I was also particularly moved by ‘sparrow footprints’, ‘all those years, we were dancing’, ‘the sound of a heart breaking’, ‘the ending’, ‘a ribbon of red’, and ‘listing’. 

I wouldn’t describe myself as a ‘poetry person’; sometimes it feels (rightly or wrongly) that the meaning is deliberately obscured, but that’s far from true with talk to me about when we were perfect. If you think poetry isn’t for you, try reading this collection. Read slowly; read aloud to feel the words. Huggins proves that she is a writer with great emotional understanding and the technique to express it; her work is deep, beautiful and truthful, free from pretension. 

Kazuo Ishiguro said in his Nobel Lecture in 2017, ‘Stories can entertain, sometimes teach or argue a point. But for me the essential thing is that they communicate feelings… In the end, stories are about one person saying to another: This is the way it feels to me. Can you understand what I’m saying? Does it also feel this way to you?’ 

When it comes to Amanda Huggins’s poetry as well as her prose, my answer to these questions is always yes." Hannah Retallick, author and award-winning short story writer

"I love this collection and savoured every moment. Thank you for giving me the chance to enjoy it ahead of publication. talk to me about when we were perfect is a beautifully presented poetry collection by the wonderfully talented Amanda Huggins. The cover image, French flaps and illustrations underline the quality of this product. The poetry inside sparkles. I admire the careful ordering of poems, from the almost-baby in 'a ribbon of red' to 'egg' that follows. I love the reflective quality which captures young life and enabled me to re-experience the confusion or joy and spontaneity of youth. There are some absolute crackers including 'out chasing boys' which nails those heady days and 'dizzy with it' which captures the exuberance of the time. I highly recommend talk to me about when we were perfect. Treat yourself to a copy." Gail Aldwin, author of This Much Huxley Knows and The String Games

 

 

 

talk to me about when we were perfect

My new poetry collection will be out in March, and the first reviews are already in...

Thanks to Leo Boix and Bethany Rivers for their generous and in-depth appraisals.

Leo Boix, author of Ballad of a Happy Immigrant

"Amanda Huggins’ new collection, talk to me about when we were perfect, explores issues of female love and desire, intimacy, memory and loss with sheer clarity and devastating honesty. The narrative quality of many of these exciting poems, coupled with the highly lyrical voice of the poet, takes the reader on a surprising journey of self-discovery and wonder. In her collection, Huggins looks in detail at the miracle of everyday life, the complexities of human relationships and what it means to be in love. ‘If I ever question my love for you,/aware that the years have wearied its shine,/knowing we can’t outrun/the ravages of familiarity,/then I picture life without you.’ writes the poet in ‘no doubt’. 

The book scrutinises the often-overlooked interactions between us and the puzzling world surrounding us. Many of Huggins' poems have a sense of life passing and the light quality. Such is the case in ‘komorebi’. ‘My heart will keep hold of that Japanese word/for dappled sunshine spilling through trees,/the interplay between light and leaves,/and it will never forget the dizziness of love/like an unending intake of breath.’ 

This is a dazzling book of poems full of light and compassion that stay with the reader long after the last page is read."

(You can buy Leo's collection here via the Penguin website)


Bethany Rivers, author of Fountain of Creativity and the sea refuses no river

"Your senses will be delighted by this debut poetry collection by Amanda Huggins. She has a particular gift for highlighting the special moments in everyday life. Even in poems of longing and sadness, there is a tenderness there that will make you smile. Huggins skilfully handles moments of love, humour, grief, with a wonderfully light touch. There is a delicate interweaving of both the sorrows and the beauty of life, which feels like a celebration of what is.

These poems have a keen eye and ear turned towards those extraordinary moments within the domestic world. In ‘at the kitchen table’, we see a couple leaving an idyllic holiday cottage of ‘a dog-eared novel/ the weekend papers’ and ‘ice-melt from the trees / pattering on the bonnet’ back to the world that is ‘a little less bright / and a little less kind’ but still what the narrator remembers, and the reader is left with is the poignancy of ‘a newborn lamb’ with ‘his pink ears backlit by the sun’.

‘okaeri’ (a Japanese word for welcome) is simultaneously full of longing and welcome for our loved one, as we learn to ‘wait out winter / warm our love on a low flame / fashion its cloak from fallen feathers / anchor it with stones’.

In the middle of the collection, Huggins pays homage to that old favourite poem by Ezra Pound. Her language musically and succinctly plays and expands upon the illusory nature of life ‘everything gone and everything gathered’, as well as offering the reader the deep resonance of universal truth of ‘Each of us a single grain of rice, / each of us a petal on a rain-splashed bough.’

Throughout the collection, Amanda Huggins captures beautifully the central detail of people’s lives and how far reaching those ripples expand."

(Check out Bethany's collection here)

 

A Writer Reading - Erica Crompton

 

 A WRITER READING - ERICA CROMPTON

The first book I remember reading
The first story I became hooked on was one called The Cockyolly Bird by Enid Blyton. I actually listened to it on audio format, read by Joanna Lumley. The story follows a bird, my memory is sketchy but I still remember vividly an image the cassette conjured up of a brightly coloured umbrella with a regal, gold crown on the top!

The books which shaped my childhood
My mom would take us to the local library when I was around twelve where I discovered the Sweet Valley High series by Francine Pascal. Those books were not only a sweet escape from my young teenage growing pains but also like a map for middle school. I adored the twins.

The books I read as a teenager
I read magazines a lot between the ages of thirteen and sixteen – Elle and The Face were my favourites. My mom had a big pile of women's glossies stored in the bottom of her wardrobe and I'd spend many happy hours sat on the floor pouring over their contents. You can see the influence of magazines in The Mind Surfer, I hope, especially the first-person pieces you get in women's magazines.

The first book which made me want to be a writer
It was always my young ambition to work in a fashion department on a magazine or newspaper, in particular as a fashion assistant. I read a story about a fashion assistant in Elle magazine as a teenager and fell in love with the tragic glamour of her buried in a suitcase of designer clothes and Stussy jewellery. The fashion assistant was upset she had to send all the clothes back to the fashion houses after a shoot and she spent all her working day in a fashion cupboard full of designer clothes!

The writer who changed my view of the world
Susie Orbach, without doubt! I read her book, Hunger Strike, when I was working in London and struggling with my eating. I was quite poorly with my eating which I touch on in The Mind Surfer, but Susie Orbach's book contextualised my struggles and brought my eating and weight back on track when (very expensive) private therapists had failed. It was the first time I experienced first-hand the power of books and how they can help people and I guess, aged twenty-one, reading this was a turning point where I decided to write my own books to help others once I was in a better place with my mental health.

The book which will always have a place on my shelves
Probably The Mullet by Barney Hoskyns and Mark Larson, a novelty hardback book my mom bought me when I went to university in London. The mullet was back in fashion and I unashamedly sported one for two whole years.

The book I tell everyone else to read
Ways of Seeing by John Berger. It's on the reading list of many artistic degree programmes in the first year and opens the doors to viewing art with more discerning eyes. It also demystifies lofty museums and expensive art tags. Also anything by the French writer Colette, my favourite being Claudine and Annie in the Claudine series – I had tears of joy finishing that book.

The books I didn’t finish
I have three bookshelves at home and about 85% of the books on these shelves are still unfinished.

The book I am reading right now
Recent purchases I plan to read are The Picador Book of Contemporary Scottish Fiction because I love Scotland. And Baha'i Basics that introduces the reader to the Baha'i religion – I describe myself as spiritually curious and enjoy learning about different faiths from all over the world.

The book I turn to for comfort
Anything by the Singaporean writer, Catherine Lim. She writes short stories which suit my attention span and they're all so painfully ironic they never fail to make me feel better about my own life – in the same way I listen to Coldplay and am just really happy I'm not Chris Martin! She's the master of irony and her love stories especially got me through many lonely nights when I was single.

ABOUT ERICA

Erica Crompton is a spokesperson on mental health issues and schizophrenia. She has a history of paranoid schizophrenia with a current diagnosis of schizoaffective and lived experience of psychosis. While dealing with her own illness, she has still managed to maintain a job as a freelance journalist. She has handled her illness with therapy and medication for almost two decades. During this period, Erica spent one week on psychiatric ward in 2009 after surviving a suicide attempt in a run-down flatshare in Birmingham, UK. As a keynote speaker, Erica inspires audiences with her unique story of living with psychosis and schizophrenia.

She has a degree in journalism and is working full-time as a freelance journalist and editor. Erica is a former Editor of Ophthalmology Times Europe. Additionally, she has held long-term and full-time staff positions at The Daily Telegraph, the Mail Online, John Lewis’ head office and as a radio script writer at UTV, all while experiencing psychosis. Working as a freelance journalist, Erica has written about her mental illness for The New York Times, The Independent, The Lancet Psychiatry, Woman Magazine, The Mail on Sunday and Chat.

Erica is based in Staffordshire, UK. She enjoys walking and loves Brazilian dancing. In her spare time, she is a mental health activist, and she is running her own fashion label and ‘mad-to-order’ t-shirt design service, Medfed.

Erica Crompton's memoir, The Mind Surfer, is published next month by Victorina Press. 

Part memoir, part self-help book, The Mind Surfer is aimed at all those whose lives have been touched by psychosis. 

You can find out more and pre-order here

Book Review by Judy Darley

A fantastically generous in-depth review from Judy Darley for An Unfamiliar Landscape!

Extract from book review by Judy Darley

An Unfamiliar Landscape

Amanda Huggins

Posted on November 1, 2022

...If you’ve read Amanda Huggins’ fiction before, you’ll be aware of the richness of her writing. Equally comfortable writing page-long tales, novels and poetry, Huggins appears to inhabit the worlds she conjures, adding details with the power to be both delicious and disconcerting.

In An Unfamiliar Landscape, Huggins’ third full-length collection, the opening short story Aleksandr offers vapour trails of backstory and future story, so that when it ended, it left me hungry and eager for more.

“I know he hates being on land, that he feels tied to the sea by an invisible thread, that it pulls him back with every ebbing tide.”

It’s easy to fall hard for Huggins’ characters, who spring from pages fully formed and eager to make your acquaintance. Their emotions are deftly, colourfully painted, with yearning a key trait. Even seen through others’ eyes, many seem wistful and searching, making me want to offer solace.

Huggins is able to weave more into a single paragraph than many achieve in pages of text, adding texture and significance to the worlds she creates for her characters to inhabit. Many of these worlds are salt-scented UK coastal settings, while others  lure us further away, inviting us to explore Tokyo, Paris, Berlin and other places....

 

You can read the full review here

TODAY'S THE DAY! Publication day for An Unfamiliar Landscape

 

Today is publication day for my third full-length short story collection, an Unfamiliar Landscape, which was commissioned last year by Teika Bellamy for Valley Press.

It's a mix of prizewinning stories from the last couple of years, a few older stories which I have re-worked, and a whole set of brand new pieces. I'd been working hard on my poetry collection (out in March next year) up until this book was commissioned, and prior to that I'd written and published two novellas with Victorina Press, both of which won the Saboteur Award for Best Novella, in 2021 and 2022 respectively. But returning in earnest to shorter fiction has really felt like coming home and has inspired a whole new wave of stories, many of which will be included in my 2024 collection of Japanese-set fiction.

I have already garnered some great advance reviews for An Unfamiliar Landscape, and I hope you enjoy it!

 

 

THE BLURB:

From a rain-soaked Berlin to a neon-lit Tokyo, the midwest of North America to the Parisian backstreets, a suburban London kitchen to a fishing village on the Yorkshire coast, wherever these characters are travelling from or to, they are all navigating unfamiliar ground in search of answers. These are stories of yearning to belong, of the urge to escape – tales of grief and alienation, of loss and betrayal, love and hope.

 

THE REVIEWS:

'Huggins’ atmospheric and evocative prose has the power to transport you around the globe while tunnelling deep into your soul. The tiniest details make the greatest impact as Huggins explores grief, relationships and self-discovery in her latest collection of short stories. A masterclass in short form fiction.'

Sarah Linley, author of The Trip and The Wedding Murders
 
'I savoured the moment of opening this new collection of short fiction by Amanda Huggins. She always writes outstanding stories but this collection is absolutely exquisite. The writing is rich with detail and the settings lodge themselves within the reader’s mind as one might expect from the title An Unfamiliar Landscape. I also love the disparate cast of characters Huggins introduces, each with their own challenges and dilemmas. They behave in unexpected ways which makes every story intriguing. A superb read.'

Gail Aldwin, author of The String Games and This Much Huxley Knows

'An Unfamiliar Landscape is another wonderful collection from an author whose writing never ceases to inspire me. She drew me into the characters’ experiences, painting their internal scenery with insight, empathy and compassion. I often found myself thinking, ‘Wow, she’s reading my soul’ – different circumstances but familiar emotions. There is such comfort when, as the reader, you feel understood.
 
Now I’ve finished my greedy binge-read, I’ve put this book on my to-reread-ASAP pile and shall savour the collection as it deserves, pausing between stories to let them resonate. I have no doubt that I’ll discover more and more each time.'

Hannah Retallick, author.

You can buy a copy here! 

The September Newsletter from Valley Press

IN THE SEPTEMBER NEWSLETTER FROM VALLEY PRESS I'M TALKING ABOUT MY NEW SHORT STORY COLLECTION...

This month we'd like to introduce you to An Unfamiliar Landscape, with author Amanda Huggins to tell you a bit more about it...

An Unfamiliar Landscape by Amanda Huggins

An Unfamiliar Landscape is my third collection of short stories, and my first publication with Valley Press. VP did actually reject my first collection around five years ago – but they were right to do so! I received some very encouraging feedback from their external readers, but I can see see now that it still needed a lot of work.

            More recently I’ve published two novels with Victorina Press – All Our Squandered Beauty and Crossing the Lines – both of which went on to win the Saboteur Award for Best Novella in 2021 and 2022 respectively. However, I’m thrilled to have returned to the world of short story writing for this collection, as it will always be my first love – in fact both of my novels started life as two-thousand word stories.

           Crafting a tale in so few words requires a different set of skills to novel writing, and I don’t think the former should ever be seen as practise for the latter — a piece of short fiction isn’t a miniature novel any more than a novel is a protracted short story. I think short fiction is well-suited to the pace and attention span of the modern world, yet some readers say they don’t read shorts because they can’t lose themselves in the action the way they can in a novel. It is true that they demand your fine-tuned focus, that each sentence needs to weigh in heavy to earn its place, and so short stories need to be read slowly and savoured. Yet this brings its own rewards. A cracking story will repay your time and attention by leaving you with something to think about for days after you’ve read it.

Amanda Huggins, author of An Unfamiliar Landscape

I’m a big fan of all things Japanese, including literature. Japanese writers are renowned for sparing and effective use of language, a certain nuance and elusiveness. These are qualities which suit the short story form and which draw me back again and again and inform my own writing.            An Unfamiliar Landscape takes us on a journey from rain-soaked Berlin to neon-bright Tokyo; from mid-west North America to the back streets of Paris; from a suburban London kitchen to a Yorkshire fishing village. Yet wherever the characters live, and wherever they travel to or from, they are all navigating unfamiliar ground in their search for answers.            In ‘The Names of the Missing’ Kara walks the streets of Berlin, photographing the homeless and the displaced while looking for her own missing boys. Sam and Isla’s familiar world is irrevocably altered ‘In the Time It Takes to Make a Risotto’, and in ‘Waiting to Fall’ Gina is unsettled by the wild landscape when she stays at remote Ragwood Hall. In ‘Something in the Night’ an urban forest plays tricks on Anna’s perception of reality, and in the title story, Sophia moves through Tokyo almost unseen; simultaneously freed and trapped by her apparent invisibility.            These are stories of the yearning to belong and the urge to escape; tales of grief and alienation, loss and betrayal, love and truth, change and hope; they are stories from places where everything is not always as it first appears. I hope you enjoy them!

An Unfamiliar Landscape is available to pre-order now here and will be released 6th October 2022

ABOUT THE AUTHOR...

Amanda Huggins is the author of the novellas All Our Squandered Beauty and Crossing the Lines, both of which won the Saboteur Award for Best Novella, in 2021 and 2022 respectively. She has also published four previous collections of short fiction and poetry. She was a runner-up in the Costa Short Story Award 2018 and her prize-winning story ‘Red’ features in her collection Scratched Enamel Heart. In 2020 she won the Colm Toibin International Short Story Award, was included in the BIFFY50 list of Best British and Irish Flash Fiction 2019–20, and her poetry chapbook, The Collective Nouns for Birds, won the Saboteur Award for Best Poetry Pamphlet. In 2021 she won the H E Bates Short Story Competition and was Highly Commended in the Fish Short Story Prize. Her short fiction has also been broadcast on BBC Radio and her travel writing has won numerous awards, including the British Guild of Travel Writers New Travel Writer of the Year Award. Amanda grew up on the North Yorkshire coast, moved to London in the 1990s, and now lives in West Yorkshire.